The London hammer – a tool older than history

In
June 1936 (or 1934 according to some accounts), Max Hahn and his wife
Emma were on a walk when they noticed a rock with wood protruding from
its core. They decided to take the oddity home and later cracked it open
with a hammer and a chisel. Ironically, what they found within seemed
to be an archaic hammer of sorts. A team of archaeologists checked it,
and as it turns out, the rock encasing the hammer was dated back more
than 400 million year; the hammer itself turned out to be more than 500
million years old. Additionally, a section of the handle has begun the
transformation to coal. Creationists, of course, were all over this. The
hammer’s head, made of more than 96% iron, is far more pure than
anything nature could have achieved without an assist from modern
technology.
June 1936 (or 1934 according to some accounts), Max Hahn and his wife
Emma were on a walk when they noticed a rock with wood protruding from
its core. They decided to take the oddity home and later cracked it open
with a hammer and a chisel. Ironically, what they found within seemed
to be an archaic hammer of sorts. A team of archaeologists checked it,
and as it turns out, the rock encasing the hammer was dated back more
than 400 million year; the hammer itself turned out to be more than 500
million years old. Additionally, a section of the handle has begun the
transformation to coal. Creationists, of course, were all over this. The
hammer’s head, made of more than 96% iron, is far more pure than
anything nature could have achieved without an assist from modern
technology.

Wood turning to coal
Giant Stone Balls of Costa Rica

Workmen hacking and burning their way through the dense jungle of Costa Rica to clear an area for banana plantations in the 1930s stumbled upon some incredible objects: dozens of stone balls, many of which were perfectly spherical. They varied in size from as small as a tennis ball to an astonishing 8 feet in diameter and weighing 16 tons! Although the great stone balls are clearly man-made, it is unknown who made them, for what purpose and, most puzzling, how they achieved such spherical precision.
The
Antikythera mechanism has been labeled the first known mechanical
computer. Found in a shipwreck off the Greek island of Antikythera, it
was designed to calculate astronomical positions. Consisting of a box
with
dials
on the outside and a very complex assembly of gear wheels mounted
within, it’s about as complex as an 18th century top-notch clock. The
level of sophistication utilized by the device has forced scientists to
accept that their perceptions of ancient Greek engineering may be
faulty. Nothing similar to this exists or is mentioned in any known
writings from the period of its creation. Based on the knowledge we do
have, this mechanism shouldn’t even exist. According to Professor
Michael Edmunds of Cardiff University, who led the team studying the
mechanism:

The Antikythera mechanism – a Greek ancient computer
TheAntikythera mechanism has been labeled the first known mechanical
computer. Found in a shipwreck off the Greek island of Antikythera, it
was designed to calculate astronomical positions. Consisting of a box
with
dialson the outside and a very complex assembly of gear wheels mounted
within, it’s about as complex as an 18th century top-notch clock. The
level of sophistication utilized by the device has forced scientists to
accept that their perceptions of ancient Greek engineering may be
faulty. Nothing similar to this exists or is mentioned in any known
writings from the period of its creation. Based on the knowledge we do
have, this mechanism shouldn’t even exist. According to Professor
Michael Edmunds of Cardiff University, who led the team studying the
mechanism:
“This device is just extraordinary, the
only thing of its kind. The design is beautiful, the astronomy is
exactly right. The way the mechanics are designed just makes your jaw
drop. Whoever has done this has done it extremely carefully.” He added:
“…in terms of historic and scarcity value, I have to regard this
mechanism as being more valuable than the Mona Lisa.”
The Grooved Spheres![]()
Over the last few decades, miners in South Africa have been digging up mysterious metal spheres. Origin unknown, these spheres measure approximately an inch or so in diameter, and some are etched with three parallel grooves running around the equator. Two types of spheres have been found: one is composed of a solid bluish metal with flecks of white; the other is hollowed out and filled with a spongy white substance. The kicker is that the rock in which they where found is Precambrian - and dated to 2.8 billion years old! Who made them and for what purpose is unknown.![]()
So basically these apparently man-made objects date back to a period in earth’s history before the existence of intelligent life and are baffling scientists around the world due to their complexity and the fact they are made out of an extremely hard nickel-steel alloy that cannot be scratched and does not occur naturally and is of such a composition that excludes any meteoric origin. They simply DO NOT fit into any conventional prehistoric time-scale. What are they exactly? Who knows but it would be very surprising if some sort of extra-terrestrial species was not their original ownersThe Dropa Stones
In
1938, an expedition led by archaeologist Dr. Chi Pu Tei into the
Baian-Kara-Ula in China made an astonishing discovery. Nearby caves held
traces of the ancient culture which once occupied them. Buried by the
dusts of time, hundreds of stone disks lay scattered about the cave’s
interior. Nothing too spectacular you may think, but the disks turned
out to be eerily similar to phonograph records — nine inches in
diameter, a circle cut into their centers and an obvious spiral groove.
They are believed to be more than 10,000 years old. But the spiral, as
it turns out, is composed of tiny hieroglyphics. When studied and
translated, it was revealed that the discs tell the amazing story of
spaceships that crashed into the mountains, piloted by people who called
themselves the Dropa.The Saqqara bird – an Egyptian plane
Ancient Model AircraftThere are artifacts belonging to ancient Egyptian and Central American cultures that look amazingly like modern-day aircraft. The Egyptian artifact, found in a tomb at Saqquara, Egypt in 1898, is a six-inch wooden object that strongly resembles a model airplane, with fuselage, wings and tail. Experts believe the object is so aerodynamic that it is actually able to glide.The small object discovered in Central America (shown at right), and estimated to be 4,000 years old, is made of gold and could easily be mistaken for a model of a delta-wing aircraft - or even the Space Shuttle. It even features what looks like a pilot's seat.Discovered
during the 1898 excavation of the Pa-di-Imen tomb in Saqqara, Egypt,
the Saqqara bird is (as you could have guessed) a bird shaped artifact
made from the wood of a sycamore tree. Weighing in at just under 40
grams and with a wingspan of more than 7 inches, it’s been dated back to
approximately 200 BC. Lack of documentation and other data has led to
some speculation. In fact, the ancient egyptians were well aware of the
principles of aviation. Was it simply the toy of an affluent Egyptian
child? Did it serve some kind of ceremonial purpose? Regardless, the
object has few realistic bird traits. With its vertical tail, resembling
that of an airplane or glider, it resembles no known bird. Scientists
came to the conclusion that it couldn’t be effective as an aircraft due
to lack of technology, but it could have in fact been a glider. or maybe the ancient Egyptianswere Far more Advanced than we give them Credit forThe Baghdad battery – a 2000 year old battery
This
device consists of a 5-1/2-inch high clay vessel, inside of which was a
copper cylinder held in place by asphalt. Within the cylinder,
archaeologists found an oxidized iron rod. In 1940, Wilhelm König (the
German director of the National Museum of Iraq) suggested that these
could be galvanic cells, perhaps used for electroplating gold onto
silver objects. Nobody has been able to prove him wrong, especially
since it only needed to be filled with an acid or alkaline substance to
produce an electric charge.Unexplainable fossils and metal objects
Geology
is a relatively “new” science. The progress and developments made
through experimentation are absolutely remarkable and have helped in
many other fields. Still, there are some things yet to be explained.
Though the honeycomb pattern of paleodictyon is already well known, we
remain stumped as to the creation of such and more questions are being
raised.paleodictyondrawing of metallic tubeFor
example, a fossil of a human handprint was found in limestone estimated
to be more than 110 million years, a fossilized human finger with just
as much, and the aparent discovery of a human footprint that possibly
sported a sandal which dates to more than 300 million years ago. These
amazing fossilized imprints/remains have left the scientific community
scratching their collective heads. Not to mention the 65 million year
old semi-ovoid metallic tubes being dug out of France, the unusual block
of coal discovered 124 years ago which contained a metal cube that
couldn’t have formed naturally within the lump, and many more such thingsThe Piri Reis map
In
1929, a group of historians made what can only be described as an
amazing discovery, written on the skin of a gazelle. After study and
research, they found that it is a genuine map drawn in 1513 by Piri
Reis, a well documented admiral of the Turkish navy. He depicts Europe
and North Africa, the coast of Brazil, several islands (Azores, Canary
Islands, and the mythical island of Antilia), and even Antarctica, which
was thought to be discovered more than 300 years later. The most
puzzling thing is not that it shows we need to rethink the chronology
for a number of exploratory discoveries, but that it describes
Antarctica’s topography as not being masked by ice and in great detail.
The last time that occured was more than 6000 years ago. Tell me then.
How did a Turkish admiral from half a millenium ago map a continent
that’s been covered by ice for the last 6000 years?The Coso ArtifactWhile mineral hunting in the mountains of California near Olancha during the winter of 1961, Wallace Lane, Virginia Maxey and Mike Mikesell found a rock, among many others, that they thought was a geode - a good addition for their gem shop. Upon cutting it open, however, Mikesell found an object inside that seemed to be made of white porcelain. In the center was a shaft of shiny metal. Experts estimated that it should have taken about 500,000 years for this fossil-encrusted nodule to form, yet the object inside was obviously of sophisticated human manufacture. Further investigation revealed that the porcelain was surround by a hexagonal casing, and an x-ray revealed a tiny spring at one end. Some who have examined the evidence say it looks very much like a modern-day spark plug. How did it get inside a 500,000-year-old rock?The Nazca drawings
The
Nazca drawings (or lines) definitely have something otherworldly about
them. Discovered in 1930 — when the US inaugurated two new commercial
lines — they cover 450 square km and some measure more than 200m in
length. They depict lines, geometrical figures, animals and figures that
we haven’t entirely figured out yet (many believe them to be
constellations). Whether made for the gods or for some other reason,
it’s obvious that they were meant to be seen from the sky. Scientists
have had trouble trying to figure out how they could have been designed
and created without somebody directing the work from above. We can only
marvel at these amazing figures and continue to wonder how and why they
were created by a people called the Nasca.The mysterious city of Nan Madol – a city built on corals
The
city of Nan Madol was built between 200 B.C. – 800 A.D., on a coral
reef near Micronesia. It consisted of about 100 artificial islands made
from huge basalt blocks and connected with viaducts. From the start, it
dazzles us with a mix of the bizarre and grandeur. From the start it
seems incongruous; 250 million tons of offshore basalt in the middle of
nowhere. How were these huge blocks quarried, transported, and placed in
the perfect spot? Even by today’s standards, it would an impressive
engineering feat. Additionally, the reasoning behind its development
remains a mystery. Archaelogists have few clues as to what happened to
the civilization responsibile for its creation.The Sacsayhuaman walls
Near
the city of Cuzco, more than 3500 meters above sea level, these amazing
walls first fascinated the Spanish conquistadores. They were astonished
to discover how these people who, according to them, were ignorant and
lacked the ability of logical reasoningrequired
to have built such wonders. They are in fact 3 concentric walls, the
average being roughly 360 meters in length and 6 meters in height, made
from limestone blocks that weigh about 300 tons each. They didn’t use
mortar or any other kind of cement to bind the walls, but they are
carved and placed in such a way packed so closely that even a sharp
knife can’t be wedged between 2 blocks. Scientists have tried to achieve
this at a much smaller scale and have failed in their efforts to
replicate the tight joints of the Sacsayhuaman walls


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intresting
imagine if you will in the future 1,000 years from now we have time travel and we travel back in time to observe our ancestors to them we are Gods
Check netflix, I think they have them
Evidence: The Case for NASA UFOs - this one has parts in it that seems to be along the lines of what you're saying. I hope you can understand quantum physics because there's alot of it in it. it makes you want to build your own tesla tower
Zeitgeist - this will blow your fricken' mind & piss you the hell off at the same time. You'll never look at politics & religion the same way again. This one makes you want to build your own tesla tower, too
Dreams & Literature
Many dreams are said to have produced, directly or indirectly, excellent stories, poetry, music. Hennas is said to have had his Pastor dictated to him by a voice when he slept. It is claimed that Voltaire dreamed a whole canto of Henriade. Coleridge's Kubla Kahn is credited to a dream; his Ancient Mariner resembles a dream. Tartini, the composer, after striving in vain while awake to conclude a sonata is said to have gone to bed and to have dreamt that the devil offered to finish the sonata in exchange for the composer's soul. Tartini accepted, whereupon the devil played on a violin, with wonderful execution, the sought-for sonata. The composer awoke, and is said to have written down from memory what he had heard; to the composition the name The Devil's Sonata is given.
Robert Louis Stevenson, who was from childhood a very vivid dreamer, and who, like Dr. Thomas Reid, Lamb, and Bunyan suffered from night terrors, obtained many of the ideas of his Dr. Jekyll and Mr. Hyde, and the plots for many other tales from his dreams; he tells of the debt he owes "the little people" in his very i...
Dreams & Literature
Many dreams are said to have produced, directly or indirectly, excellent stories, poetry, music. Hennas is said to have had his Pastor dictated to him by a voice when he slept. It is claimed that Voltaire dreamed a whole canto of Henriade. Coleridge's Kubla Kahn is credited to a dream; his Ancient Mariner resembles a dream. Tartini, the composer, after striving in vain while awake to conclude a sonata is said to have gone to bed and to have dreamt that the devil offered to finish the sonata in exchange for the composer's soul. Tartini accepted, whereupon the devil played on a violin, with wonderful execution, the sought-for sonata. The composer awoke, and is said to have written down from memory what he had heard; to the composition the name The Devil's Sonata is given.
Robert Louis Stevenson, who was from childhood a very vivid dreamer, and who, like Dr. Thomas Reid, Lamb, and Bunyan suffered from night terrors, obtained many of the ideas of his Dr. Jekyll and Mr. Hyde, and the plots for many other tales from his dreams; he tells of the debt he owes "the little people" in his very interesting Chapter on Dreams contained in Across the Plains. Bunyan, who is best defined as a constant dreamer - day and night - owes his Pilgrim's Progress to dreams; most of his other works seem to have been suggested in the same way. The writings of Poe and De Quincey were, in some cases at least, indebted to vivid dreams. Edward Lucas White describes the aid he received from dreams in the preface to his book of short stories entitled The Song of the Sirens. Dante, Goethe, Lamb, Chatterton, Blake and many others evidently owed some of their compositions to the world of dreams.
Sometimes dreams that are forgotten during the day recur, or come to mind on again falling asleep. Ribot says: "I have often observed how, on falling asleep, a dream of the preceding night till then forgotten comes back to memory in great detail and very distinctly. In travelling, when I leave one town to sleep in another, this recurrence of the previous night's dream sometimes takes place, but then the dream comes back piecemeal, disjointed, and hard to reconstruct." Many stories have been founded on these dreams, among the best known being Theophile Gautier's short story entitled La Morte Amoureuse.Many of the productions credited to dreams must be discounted. For example, Tartini said, when" old, that on awaking from his dream he did not retain the memory of the dream music; he wrote, after vainly trying to recall the music of the dream, a composition which in his judgment was inferior to the dream performance. If the composer had not striven so hard to complete the sonata, and had given himself up to abstraction, it is probable that he would have completed his work without the aid of a dream. Many composers find that their compositions come easier when they do not strive to produce them. For instance, Haydn, who was of a very religious nature, always resorted to his beads when he found difficulty in composing, and said he never knew this to fail. Tartini's idea of
selling his soul to the devil was probably the awakening of an old day-dream.
1 Diseases of Personality, 1887, p. 30.
As regards Kubla Kahn, it was written when its author was under the influence of opium taken to relieve an indisposition. Coleridge made no claim that the poem, as finally written, was entirely a dream production. As Ellis says: "It may be added that it is difficult to believe that Coleridge could have recalled the whole poem from either a normal or abnormal dream: as a rule, when we compose verses in sleep we can usually only recall the last two or at most four lines."
If we bear in mind that the memory of dreams is At best fleeting, we will see how impossible it is for a poem or work of any length to be remembered intact on awaking. And, as a rule, dream compositions are very inferior when subjected to waking criticism. It is, of course, possible for a work to be written during somnambulism. In many cases in the waking state, the best productions, especially of poets, seem to have been written while the authors were in a state of mental dissociation, their compositions coming involuntarily, unconsciously. George Eliot considered that she did her best work when she was taken possession of by another personality; Goethe wrote his Werther and other compositions as if in a state of trance. However, while we may find instances of work being performed " as if in a dream" we will find few, if any, instances of work of merit being remembered after a night dream, or written in a state of nocturnal somnambulism.
What most literary men and others who make profitable use of the imagination obtain from dreams are suggestions. These suggestions they are able to employ usefully, just as they can make use of newspaper articles, scraps of conversation, incidents of one kind or another, etc., as bases for new productions. The idea is the essential feature; given the idea they can build a play, novel, or poem about it. When we consider how rich the world of dreams is in images, incidents, symbolisms, we can readily understand how it may prove a never ending source of inspiration to those who are competent to develop the suggestions therein received.
Comparatively modern studies show us that many myths, fables, and works of ancient origin were suggested by dreams. The CEdipus Tyrannus of Sophocles is presumably founded on a fairly common dream. Bergson1 suggests that the fable of Eudymion, the shepherd, lapped in perpetual slumber, for whom the goddess Selene, the moon, is smitten with love while he sleeps, may have originated from dreams instigated by the rays of the moon falling on a sleeper's eyes: the moon's rays falling on the eyes during sleep not infrequently instigate dreams in which virgins figure prominently. The tendency of dreams to make composite photographs of persons and things, the monsters that appear in nightmare, etc., will account for many stories of a mythical nature, as animals with human heads, witches with blue faces, monstrous or dwarfed men and animals, etc.
Nice job DAW, as usual.